Open Air

Rhythm & News: Mon-Fri • 9am-3pm

Open Air is more than a show. It's a sound. It's a home for music people - a place where you can hear the latest indie rock/pop, AAA and Americana, plus blues, jazz, world, and alt.country. Open Air is hosted by people who share your passion for new music as well as favorites from the past.

Open Air is curated each day to keep you up to date on emerging artists like Lord Huron, Lake Street Dive and José González. At the same time, our extensive music library allows us to properly honor the past with legendary artists like Pete Seeger, Bob Marley, Johnny Cash, Billie Holiday, and Robert Johnson. We haven't forgotten our musical roots, and with Open Air you don't have to either.

It's unique, it's fresh, and it's always looking ahead to what's next. It's the music you already love plus the new artists you're about to. It's Open Air from JPR.

On Friday, August 3rd at Noon, JPR will broadcast a live session with The Real Sarahs on Open Air.

Michael Rault’s second full-length, It’s A New Day Tonight, has its home in the darkness, like much rock and roll—many of its songs look at nocturnal activities, particularly sleep. “Sleeping and dreaming were attractive concepts,” says Rault. “I was looking for an escape from a lot of frustrating and dissatisfying conditions in my day-to-day life.

On Friday, July 27th at Noon, JPR will broadcast a live session with Hannah Mayree on Open Air.

KT Tunstall thought she was done with music. Not done as in she’d never again play guitar or sing, but done playing professionally, at least for the foreseeable future. “As an artist I feel like I died,” she says. “I didn’t want to do it anymore.

Intuitive Compass is the diverse talents of song writer and guitar pioneer, Jason Dea West taken together with old time circus freak and accordionist Aurelia Anne Cohen. Purveyors of “Original Western Folk Music” they offer a timeless sound, invoking a musical America of the past with out ever sounding dated. Their provocative lines and dynamic arrangements include elements of country blues, old-time, vintage swing, jazz, frontier balladry, instrumentals and the perpetuation of traditional folk songs.

On Friday, July 20th at Noon, JPR will broadcast a live session with singer/songwriter Amy LaVere on Open Air.

When Jonathon Robert Linaberry needs a break from New York city life, he goes upstate, near the Catskills, to renovate a little farmhouse he purchased a couple of years back. As he pours himself into his work, J.R. doesn’t think about texts, email, or even his music, which he performs solo under the moniker The Bones Of J.R. Jones. His only focus is the house.

Cold wars come in a few sizes, but the warm wars -- the ones that burn and give off a fair amount of long stares and result in exasperation and quivering faces — are the ones that Christopher Porterfield of Field Report worries about on the Milwaukee, Wisconsin band’s third album, Summertime Songs. They’re suntanned and wind-swept. They’ve been crying and they’ve been drinking. These warm wars are the result of chaffing, of friction and boredom. They’re caused by everything and nothing at all, just guys deciding to act on a foggy and cowardly, oftentimes mistaken heart’s behalf. Some people give up and some people are given up on.

Adrian Legg has forged a path unique among guitarists. His quest to blend the tonality of an acoustic with the amplified power of the electric guitar continued today. “I wanted something that had the harmonic content roughly like an acoustic, and that had the flexibility in terms of stringing and volume levels, whatever you wanted to do, of an electric,” he explains.

Realism and storytelling are qualities that are prominent on I Am Nice, the 17-year-old Utah singer-songwriter's New West debut. The 12-song album—produced by Ben Tanner of Alabama Shakes and John Paul White of the Civil Wars—shows the young troubadour to be a timeless talent whose catchy compositions embody the sort of wisdom, empathy and insight that's usually associated with more experienced songwriters.

JPR Live Session: Gordi

May 18, 2018

On the farm in rural Australia where Sophie Payten – AKA Gordi – grew up, there’s a paddock that leads down to a river. A few hundred metres away up the driveway of the property named “Alfalfa” sits another house, which belongs to her 93-year-old grandmother. The rest, she says, “is just beautiful space. And what else would you fill it with if not music?

With a celestial voice and lyrics only an old soul can write, singer/songwriter Olivia Millerschin is racking up the accolades. Most recently, Olivia’s blend of vintage folk and modern pop earned her a second John Lennon Songwriting Award and the opportunity to showcase her music with a mainstage performance at NAMM 2018. She was a quarter finalist on America’s Got Talent, won the Great American Song Contest, is featured on Republic Records soundtrack to Mitch Albom’s latest novel alongside musical greats Ingrid Michaelson and Tony Bennett, and has music placed in national and international film and tv.

The Ballroom Thieves fought through a year of tribulations with their sophomore album, 2016's Deadeye, as their shield and sword. Only through continuing to write and perform together were guitarist Martin Earley, cellist Calin Peters, and drummer Devin Mauch able to fend off their darker days.

If any band is a poster child for turning the power of positive thoughts and intention into reality, it’s the explosive horn-and-percussion trio Moon Hooch. In just a few short years, the group — Michael Wilbur, fellow horn player Wenzl McGowen, and drummer James Muschler — has gone from playing on New York City subway platforms to touring with the likes of Beats Antique, They Might Be Giants, and Lotus, as well as selling out their own headline shows in major venues around the country.

Good Old War is an American indie-folk band from Langhorne, Pennsylvania. Named with a selection of "parts" of its members' names -- Good Old War was launched by Days Away's Keith Goodwin and Tim Arnold. Joined by Daniel Schwartz of Unlikely Cowboy, Good Old War began recording its debut in Los Angeles in 2008.

The Bee Eaters are brother-sister duo Tristan and Tashina Clarridge, long known and lauded by those steeped in the American fiddle tradition, plus hammer dulcimer wizard Simon Chrisman. Together, they weave a tapestry of sound all their own, drawing on roots in bluegrass, Celtic, jazz and old-time traditions.

Zach Williams, Brian Elmquist, and Kanene Pipkin testify mightily to life’s great struggles and joys, heralding the morning that dispels the dark night. The Lone Bellow has created a sound that mixes folk sincerity, gospel fervor, even heavy metal thunder, but the heart of the band is harmony: three voices united in a lone bellow.

Sometimes you have to remind yourself why you started something in the first place,” muses Seth Walker. On his stellar new album, Gotta Get Back, he does precisely that, excavating the roots of his love affair with music and reuniting with the family that helped spark the fire all those years ago. The record is as remarkable as the story behind it, which stretches from Walker’s childhood living on a commune in North Carolina to stints in Austin, Nashville, New York and New Orleans.

Forward motion belies creativity and evolution. A staunch and unwavering commitment to progression is how an unassuming group of five friends can collectively become a Grammy Award-winning force of nature. That’s exactly how it happened for The Infamous Stringdusters. Within thirteen years since their 2005 formation, the band—Travis Book (bass, vocals), Andy Falco (guitar, vocals), Jeremy Garrett (fiddle, vocals), Andy Hall (dobro, vocals), and Chris Pandolfi (banjo, vocals) — have consistently forged ahead, relentlessly exploring the musical possibilities of a “bluegrass ensemble” and breaking down boundaries in the process.

The Wood Brothers’ sixth outing, ‘One Drop of Truth,’ dives headfirst into a deep wellspring of sounds, styles and influences. Whereas their previous outings have often followed a conceptual and sonic through-line, here the long-standing trio featuring brothers Oliver and Chris Wood along with Jano Rix treat each song as if it were its own short film. The end result is undeniably The Wood Brothers’ most dynamic recording to date.

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