Bedouine is a gallicized riff on bedouin, the nomad, the wanderer. Anyone can assume such a name, but Azniv Korkejian has an experience of what it means, the type of ground it covers. “Moving around so much caused me at some point to feel displaced, to not really belong anywhere and I thought that was a good title.” Her development was shaped by political landscapes and family opportunities, her adult life patterned by paths of her own.
Born in Aleppo, Syria to Armenian parents, Korkejian spent her childhood in Saudi Arabia, moving to America when her family won a Green Card lottery. They settled in Boston, then Houston, but she split for L.A. as soon as she could. A casual offer to stay on a horse farm took her to the rolling hills of Lexington, Kentucky, followed by a year in Austin, and a trip east to Savannah for a degree in sound design. Returning to L.A., she discovered a close-knit community of musicians in Echo Park that started to feel like home.
Korkejian works with sound professionally, in dialogue editing and music editing, a slice of Hollywood’s sprawling industry. She never set out to be a singer in L.A., taking a zen approach to that part of her life, thinking that if it happens, it happens. “I just kept meeting the right people, who were professional musicians, and even though they were going on these big legitimate tours, they were still coming back to this amazing small scene, still demoing at home, and I immediately felt welcomed to join in on that. L.A. actually made me less jaded.” One day she walked into the studio of bass player / producer Gus Seyffert (Beck, Norah Jones, The Black Keys) to inquire about portable reel-to-reel tape machines and ended up cutting “Solitary Daughter" in a first take. So they began another kind of journey.