Eric Teel

Director of FM Network Programming / Music Director / Host: JPR Live Sessions

After a failed attempt at structured music instruction at Washington State University, Eric earned a broadcast journalism degree from WSU's renowned Edward R. Murrow College of Communication.

Over the next 20-plus years, Eric has drawn upon his extensive music knowledge to host programs in nearly every genre for commercial and public radio. He joined the JPR staff in 1996, hosting Siskiyou Music Hall from JPR’s Redding studios. In 2002, he moved to Ashland and took over as one of the hosts of Open Air. In addition to music, he’s put his journalism background to use reporting for NPR, managing JPR's award-winning newsroom, and producing feature-length public radio specials carried nationwide.

As FM Network Program Director, Eric oversees many aspects of JPR's broadcast day. He still hosts the occasional Open Air or classical music shift, and is the driving force behind JPR Live Sessions - JPR’s popular series of live in-studio music performances.

When not at JPR he can be seen in the crowd or on stage at music events around the region, or building hiking and biking trails in the hills around the Rogue Valley.

If any band is a poster child for turning the power of positive thoughts and intention into reality, it’s the explosive horn-and-percussion trio Moon Hooch. In just a few short years, the group — Michael Wilbur, fellow horn player Wenzl McGowen, and drummer James Muschler — has gone from playing on New York City subway platforms to touring with the likes of Beats Antique, They Might Be Giants, and Lotus, as well as selling out their own headline shows in major venues around the country.

Cory Weaver

The WFMT Radio Network's American Opera Series returns to JPR's Classics & News Service on Saturday, May 12th following the conclusion of the Metropolitan Opera season.

Good Old War is an American indie-folk band from Langhorne, Pennsylvania. Named with a selection of "parts" of its members' names -- Good Old War was launched by Days Away's Keith Goodwin and Tim Arnold. Joined by Daniel Schwartz of Unlikely Cowboy, Good Old War began recording its debut in Los Angeles in 2008.

On Friday, April 27th at Noon, JPR will broadcast a live session with Ashland's Hollis Peach on Open Air.

The Bee Eaters are brother-sister duo Tristan and Tashina Clarridge, long known and lauded by those steeped in the American fiddle tradition, plus hammer dulcimer wizard Simon Chrisman. Together, they weave a tapestry of sound all their own, drawing on roots in bluegrass, Celtic, jazz and old-time traditions.

Zach Williams, Brian Elmquist, and Kanene Pipkin testify mightily to life’s great struggles and joys, heralding the morning that dispels the dark night. The Lone Bellow has created a sound that mixes folk sincerity, gospel fervor, even heavy metal thunder, but the heart of the band is harmony: three voices united in a lone bellow.

Sometimes you have to remind yourself why you started something in the first place,” muses Seth Walker. On his stellar new album, Gotta Get Back, he does precisely that, excavating the roots of his love affair with music and reuniting with the family that helped spark the fire all those years ago. The record is as remarkable as the story behind it, which stretches from Walker’s childhood living on a commune in North Carolina to stints in Austin, Nashville, New York and New Orleans.

Forward motion belies creativity and evolution. A staunch and unwavering commitment to progression is how an unassuming group of five friends can collectively become a Grammy Award-winning force of nature. That’s exactly how it happened for The Infamous Stringdusters. Within thirteen years since their 2005 formation, the band—Travis Book (bass, vocals), Andy Falco (guitar, vocals), Jeremy Garrett (fiddle, vocals), Andy Hall (dobro, vocals), and Chris Pandolfi (banjo, vocals) — have consistently forged ahead, relentlessly exploring the musical possibilities of a “bluegrass ensemble” and breaking down boundaries in the process.

The Wood Brothers’ sixth outing, ‘One Drop of Truth,’ dives headfirst into a deep wellspring of sounds, styles and influences. Whereas their previous outings have often followed a conceptual and sonic through-line, here the long-standing trio featuring brothers Oliver and Chris Wood along with Jano Rix treat each song as if it were its own short film. The end result is undeniably The Wood Brothers’ most dynamic recording to date.

Robert Francis is a multi-instrumentalist, Americana singer-songwriter from Los Angeles, California. As the youngest member of a music-filled household, Robert benefited from a diverse musical climate thanks to his late pianist/producer father, his songwriting sister Juliette Commagere, and his Mexican mother, who sang native ranchera songs around the house.

Building on a career that spans over 17 years with a history that includes Seattle, New York City, and everywhere in between, Jon Fickes proudly debuts his most ambitious album yet, Closer to a Ghost. The album, a release by his newest musical endeavor, A View of Earth from the Moon, is “everything I’ve always wanted a record to be.

In North Central Washington State, Tyson Motsenbocker grew up in the apple orchards and pine forests at the foothills of the Cascade Mountains. It’s the pastoral sound of his childhood that has defined the sound of his music, even among the freeways and fast pace of his new Southern California home. After the release of two EP’s Until it Lands and Rivers and Roads, Motsenbocker defined himself as a mature lyricist and accomplished songwriter, sharing the stage with the likes of David Bazan, Vance Joy and James Bay.

Kuinka's genre-defying music features several different lead singers, four-part harmony, and eclectic instrumentation including cello, banjo, synthesizers, ukulele and electronic percussion. For all of their sonic experimentation, the Seattle quartet's songs and live shows are linked by an infectious energy that remains present in everything they do.

Caught halfway between the dark swoon of pop-noir, the raw rasp of soul music, and the honest punch of Americana, Suzanne Santo's new solo album Ruby Red tells the story of a singer, songwriter, and multi-instrumentalist who, more than 10 years into an acclaimed career, is turning a new corner. Produced by multi-platinum Grammy nominee Butch Walker (whose Los Angeles recording studio gives the album its name), Ruby Red marks Santo's first release as a solo artist.

Neon Tommy/Wikimedia

On Thursday morning at 10am, JPR will broadcast California Governor Jerry Brown's State of the State address. Scott Shafer, senior editor for KQED's California Government and Politics Desk, will host the program which will include the governor's speech in its entirety followed by reporting and analysis from in-studio guests and reporters and newsmakers in the field.

Coverage can be heard on JPR's News & Information Service beginning at 10am, right after The Jefferson Exchange.

Julien Baker’s solo debut, Sprained Ankle, was one of the most widely acclaimed works of 2015. The album, recorded by an 18-year-old and her friend in only a few days, was a bleak yet hopeful, intimate document of staggering experiences and grace, centered entirely around Baker’s voice, guitar, and unblinking honesty. Sprained Ankle appeared on year-end lists everywhere from NPR Music to The AV Club to New York Magazine’s Vulture.

Originally from Colorado and initially part of the folk band Paper Bird with her sister Genevieve, Esmé Patterson has increasingly let loose her inner rocker on each new solo album — particularly on her third record, released in June of 2016, titled We Were Wild.

Jim McGuire

Britt Music & Arts Festival and Britt Orchestra Music Director Teddy Abrams announce the 2018 Britt Orchestra Season, which will run from July 25th through August 11th. The 2018 program draws inspiration from the Bernstein Centennial, a world-wide celebration of the 100th birthday of Leonard Bernstein, the composer, conductor, educator, musician, cultural ambassador, and humanitarian.

Despite their brotherhood, Aaron and Phil Reed didn’t start playing music together until two years ago after Phil left their hometown of St. Charles, Missouri to join Aaron in the unsullied mountains of the American Northwest. The brothers family blend of folk encapsulates the grit and humor of Midwest life with the swagger and serenity of the west coast. Their style evokes finger picking folk singers of the 60’s and 70’s with a contemporary and boundless edge. Cultivated from years of performing in bands ranging from heavy metal to reggae and rock, to punk, country, and funk, their musical dichotomy is at the root of their diverse yet seamless folk-brand.

Ten years and four albums deep, the story of This Is The Kit — the musical project that holds Kate Stables at its heart, is itself one of time and change and careful listening. It has carried Stables from Winchester to Bristol to Paris (where she’s lived for the last ten years), across tours and festivals and the adoration of her peers: Guy Garvey, The National, Sharon van Etten among them. And it leads her now to Moonshine Freeze, her Rough Trade debut, and her most stunning and accomplished and compelling album to date.

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