JPR Classics

JPR Classics is a place to come for all things classical in the State of Jefferson.  We'll honor our rich classical heritage while looking to the future, showcasing inspired performances by the next generation of classical musicians. The classics live on JPR!

How To Annoy Your Dad: Play The Harpsichord

Jun 15, 2015

"The harpsichord is an easy target, isn't it?" Those are the fighting words of Mahan Esfahani, a good-humored harpsichordist who is a proud defender of his instrument.

If you see any blockbuster films this summer, chances are you'll hear Michael Giacchino's music.

Artistic revolutions are rarely born easy. They complained about cubism, they grumbled about the "talkies" — and boy, did they bellyache over Wagner's trailblazing operas, especially Tristan und Isolde, which debuted 150 years ago Wednesday.

Evenly Odd: Carl Nielsen's Distinctive Symphonies

Jun 9, 2015

"Quirky" is a descriptor that seems to have stuck to Danish composer Carl Nielsen, born 150 years ago on June 9, 1865.

"The monastic life is very plain and ordinary," says Father Cassian Folsom, the founder and prior of the Monks of Norcia, ensconced in the St. Benedict Monastery in central Italy. "You get up, and you pray, and you do your work and go to bed and then the next day you do the same thing."

A large portion of the monks' daily routine is singing. "We chant the Divine Office and the Mass every day," Folsom tells NPR's Scott Simon. "And if you put all of those moments together it takes about five hours a day. Three hundred sixty-five days a year."

Leonard Bernstein often said: "Every author spends his entire life writing the same book." The same could apply to composers.

The roar of a car bomb has been the prelude to Karim Wasfi's performances of late.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

DAVID BIANCULLI, HOST:

This is FRESH AIR. I’m David Bianculli sitting in for Terry Gross.

(SOUNDBITE OF ARCHIVED RECORDING)

RUDY VALLEE: When you work with your brother Ira, which comes first, the words or the music?

Matthew Aucoin is being compared to Mozart, Wagner and Leonard Bernstein. He's worked with the Chicago Symphony Orchestra and the Metropolitan Opera in New York.

Richard Blinkhoff

JPR today learned of the passing of Margaret Juntwait, host of our regular Saturday morning Metropolitan Opera broadcasts for the last decade. Below is the statement we received from the Met.

One Hit Wonders?

Jun 1, 2015

If you grew up listening to ‘Pop’ music from the 1950’s on, you are probably aware of the concept of the ‘one-hit wonder.’ It got me thinking about whether there is such a thing in classical music and how would you define the terms. What constitutes a ‘hit’ from the classical standpoint? Should I consider composers who were known for mainly one work but had in fact written more? Fortunately I am able to play more than just the top 100 best classical pieces, so defining what a hit is for the JPR listener may be a bit broader, but there are a number of pieces that still qualify.

When Oscar Paz Suaznabar plays the piano, he does so with feeling.

The Alexandria, Va., resident has played at Carnegie Hall, the Kennedy Center and on the NPR show From the Top. He is 9 years old.

Oscar started playing his older sister's keyboard by ear when he was just 2. The sorrow he conveys when he plays "The Lark" by Russian composer Mikhail Glinka is drawn from the kind of loss any 9-year-old can understand.

Bruce Brubaker's Flowing, Meditative Glass

May 26, 2015

In his new memoir, Words Without Music, Philip Glass tells the story of how he slugged a man in the jaw in Amsterdam. At a concert, a quarrelsome audience member climbed onto the stage and began banging on the composer's keyboard. That was in 1969, when Glass' repetitious, slowly evolving music fell on many ears like a needle stuck in the groove of a record.

You wouldn't normally expect one of the great composers of the last few centuries to be meek, but how's this for humility?

"Bach and Beethoven erected temples and churches on the heights. I only wanted to build dwellings for men in which they might feel happy, and at home."

We rarely invite Tiny Desk alumni back to the confines of Bob Boilen's work space, but we couldn't resist this time. Harpist Yolanda Kondonassis and Grammy-winning guitarist Jason Vieaux have both given solo Tiny Desk performances. Since then they've paired up for concerts and a new album of works composed especially for their combination of instruments.

When a Broadway musical feels as effortlessly right as Alan Jay Lerner and Frederick Loewe's did to audiences in 1956, it's easy to imagine that it simply sprang to life that way. Not My Fair Lady. The musical, based on George Bernard Shaw's Pygmalion, is filled to bursting with some of the best-known songs in Broadway history — "The Rain In Spain," "Wouldn't It Be Loverly," "On the Street Where You Live" — but it turns out the show originally had other tunes that almost nobody knows.

The Juilliard String Quartet was established in 1946 as an all-purpose quartet that would embrace music from every era. Its founders' intent was to "play new works as if they were established masterpieces and established masterpieces as if they were new."

After Thaw, Minnesota Orchestra Returns To Cuba

May 18, 2015

The Minnesota Orchestra plays Havana this weekend. It's the first professional U.S. orchestra to perform in Cuba since the United States and the island nation began the process of normalization last December. For the musicians, this trip is about healing — both diplomatically and for themselves.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.

Transcript

SCOTT SIMON, HOST:

Lang Lang In Concert At The Met Museum

May 12, 2015

For more than half of his 32 years, Lang Lang has been in the spotlight, as an international star and arguably the most crowd-pleasing classical pianist on the planet. From venues as diverse as the Beijing Olympics and Brazil's World Cup to New York's Central Park and Stockholm's Nobel Prizes, Lang Lang routinely crisscrosses the globe playing to innumerable masses. Last month he filled London's cavernous Royal Albert Hall two nights in a row.

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