The renegade traditionalists of MIPSO -- Jacob Sharp on Mandolin, Joseph Terrell on guitar, Libby Rodenbough on fiddle, and Wood Robinson on double bass--are doing their part to take four-part harmony and Appalachian influences into new territory.
When the North Carolina band's 2013 debut, Dark Holler Pop, rose to #8 on Billboard’s Bluegrass charts, the success surprised a lot of people – Mipso’s four members included. “Well, we didn’t know so many people would buy it,” laughs mandolin player Jacob Sharp, “and we definitely didn’t know we were a bluegrass band.” Since then, Mipso has performed over 300 shows and welcomed frequent collaborator Libby Rodenbough’s voice and fiddle to the fold – and has continued to grow as musicians and songwriters, while drawing continual inspiration from their rich North Carolina roots.
Their new album, Old Time Reverie – produced by Mandolin Orange’s Andrew Marlin – is a reflection of that musical and personal growth: a gripping, mature sophomore release that finds the quartet expanding their sonic resources while doubling down on their experimentation with string band tradition. Before forming Mipso, Jacob Sharp (mandolin), Joseph Terrell (guitar), Wood Robinson (bass), and Libby Rodenbough (fiddle) were just classmates at UNC-Chapel Hill, where the experience of singing together in harmony drew them together. The sound of their blended voices remains one of the band’s hallmarks.
Since those college jam sessions, the four have entered a new phase of life, one where the work of making music – and the work of living – has become a more complicated affair. Many of the songs on Old Time Reverie grapple with the moral ambiguity that comes with keeping hope in a difficult world and making sense of its contradictions.