Overwhelmed by the speed at which his gift took him from Applebee’s server to “the new Neil Young” in a matter of months, Dylan LeBlanc walked away from an unlikely major label deal after releasing two critically acclaimed albums. He slipped into a blur of booze and self-doubt. Exhausted and damaged at just 23-years-old, Dylan came home to Muscle Shoals, Alabama to write a new life for himself.
In between the moments of clarity and a few familiar falls, LeBlanc also wrote a new album, Cautionary Tale: a collection of shimmering, arresting songs with the same haunting vocals that caught the attention of Lucinda Williams and Bruce Springsteen, now with a sharpened edge honed by hastened maturity. “This record is about me getting honest with myself," says Dylan. "I had to let the guilt about the past go and find a new truth within myself. This time, I felt like I really had something to say."
To help him say it, he sought out long-time friend Ben Tanner, the same guy who had secretly helped Dylan record his first songs after hours while working at fabled FAME Studios. (He also introduced a 16-year-old Dylan to Wilco, George Harrison, and Ryan Adams by way of an external hard drive). In between touring with Alabama Shakes, Ben was beginning to engineer records again at the label he started with another friend of Dylan’s, Grammy Award-winning musician John Paul White, formerly of the Civil Wars. The two both produced and played on Cautionary Tale.
The stripped down aesthetic that John Paul and Ben have made their label’s calling card sets Dylan’s voice in a light bright enough to see the patina the last few years has left behind. Finding the right arrangement and words was a more deliberate effort for Dylan this time. After feeling lost in the “mania” of recording his first two albums, he relied on Ben and John Paul to help him collect the pieces of his vision.
“I’ve definitely become more disciplined. I don’t count on things like inspiration anymore,” says Dylan. “I learned so much from putting songs together with John Paul. Anything he does, it’s always going to be well-thought-out and well-placed. I’m naturally an improv guy, but now I see how that can be more limiting than planning your next move.” That new-found discipline shows. Dylan methodically scored the stunning string sections with violinist Kimi Samson and cellist Caleb Elliot. To form the polished rhythm section he wanted to drive songs like “The Easy Way Out” and “Beyond the Veil,” he paired drummer Jeremy Gibson with Alabama Shakes bassist Zac Cockrell.