Angelica Garcia appropriately likens her journey to “going down the rabbit hole.” Upon graduating from Los Angeles County High School For The Arts, the 17-year-old native Angeleno found herself living in a 200-year-old gothic brick home encircled by magnolia trees and under a blanket of bright stars in Accomac, Virginia. Her stepfather traded a career in the music industry for Episcopalian priesthood, and an Eastern Shore church would serve as his (and the family’s) first congregation. Behind that residence where Union General Henry Hayes Lockwood once passed through during the Civil War, Angelica began to fashion her musical world in the dusty old parish house. Nodding to her personal “holy trinity” of Willie Nelson, Neil Young, and Jack White, she tenaciously penned music.
The singer and songwriter’s vision embraced the environment as she recorded the sounds of crickets, drumming on a shoebox, creaking doors, and more to build a rich soundscape with just her piano, guitar, and MacBook. Those ideas would eventually evolve into the 12 songs comprising her 2016 full-length Warner Bros. Records debut, Medicine For Birds. In 2014, the label signed Angelica based off the strength of the parish house demos, and she embarked on her first national tour with Delta Rae. She’d take the initial ideas to a Nashville studio with producer Charlie Peacock (The Civil Wars, Switchfoot) in January 2015.
“It’s like the songs grew up at that moment,” she explains. “Charlie showed me how big and crazy they could be. I felt like a hermit coming out. He was the ambassador to this sonic realm I didn’t know about it. The music became limitless.” Now, her style struts between ghostly gorgeous countrified blues and sly swamp Americana. With a childlike whimsy, quirky sense of humor, and dynamic delivery, it could easily soundtrack an apparitions’ ball in some Faulknerian mansion.